#Pixel puzzle piece how to
#Pixel puzzle piece series

I’d been working in France for a few years, and when I came back, there was this mounting hatred towards the left, which I couldn’t understand. When did you decide to make The Edge of Democracy?įilming a protest in March 2016, calling for the impeachment of Dilma Rousseff. Costa is currently working on Dystopia, about the Covid-19 outbreak in Brazil.

Her Oscar-nominated The Edge of Democracy traces the collapse of the political system in her home country, and reflects on her family on either side of the political divide. Petra Costa is a Brazilian director whose films blur personal narratives and documentary. I’ve seen it a dozen times maybe.Ī long-view documentary history of this, which might last many years, to help to explain to future generations how we as a people responded to this extraordinary crisis. It’s a story about the natural world, the tragedy and chaos of modernity, and the survival of the heart. What do you think is the greatest documentary ever made? I am merely the person who carries their stories out to a larger universe. It is their work that audiences react to. There’s something that makes them run toward a problem, where the rest of us might run away from it. For years I have wanted to understand what motivates people to be activists. It can reflect not just fact but emotion, in a way that is really unmatched by any other kind of nonfiction storytelling.ĭo you consider yourself first a journalist, film-maker or activist? What can documentary film-making do that journalism can’t? It restores a truth, and it does it in a way that empowers but also protects.

We mapped them pixel by pixel over the faces of the people who were in the film. So we recruited people, mostly from New York, and mostly LGBTQ activists, to lend their faces as a human shield. I began to research possible technologies were, but I found the tools other film-makers had used did not allow me to capture the kind of humanity that I witnessed. I felt an obligation to tell the story in a way that put pressure on politicians to do something, in some small way to contribute to bringing justice to the victims there. There was this total political silence around the crimes of Ramzan Kadyrov that seemed so harrowing and unheard of in modern times. I had first learned about the atrocities in Chechnya in early 2017.

#Pixel puzzle piece how to

Documentaries now start worldwide conversations.ĭavid France is an American investigative reporter, non fiction author and director of the Oscar-nominated documentary How to Survive a Plague. What do you think about the current state of the documentary industry? One woman started a Facebook group for Epstein survivors. It’s especially gratifying when it’s people that hadn’t spoken before. Survivors saying how being involved has changed their lives for the better. What has stayed with you since you finished Filthy Rich? I’d tell them documentaries use lots of techniques from other films, so are more intriguing and entertaining than one would think. How would you sell documentary films to someone who says they’re not into factual films? Good co-workers, and two cups of coffee before 10am, or else I get a headache! What can’t you live without while you’re working? I don’t know if he’ll ever fully come clean, but I think the survivors would still respect him if he spoke to the FBI. I hope for the women’s sakes he does offer answers. It’s interesting that the US is saying “We’re asking him for answers”, and he’s saying “I’m offering them up, but no one wants them”. Ghislaine will be the first of many arrests. I hope our documentary played some part in putting pressure on the FBI to act quickly. How did you react to Ghislaine Maxwell’s arrest? We had to protect everything we had, then the story started changing overnight.Īnd it’s still changing. We had to get a private room locked in our production offices for interviews, and encrypted communications to make sure no one hacked in. What problems did you have getting it made? Long before Epstein was arrested and dead, when he was still powerful, wealthy and intimidating, in November 2018. To show how our justice system was broken, expose Epstein’s abuse of wealth and power, and most importantly, to give the survivors a platform to get their voices heard. Originally based on James Patterson’s 2016 book of the same name, the four-parter developed the story of Epstein’s life, his court cases, and his death.

#Pixel puzzle piece series

After 25 years as a showrunner and producer, Lisa Bryant’s first documentary series as a director was Jeffrey Epstein: Filthy Rich , which premiered on Netflix in May.